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Open Source on Spotify https://open.spotify.com/artist/2gponzmhHF1GO3L7J4Ox9B Behind the Open Source project is Angelos Mavros from Athens, Greece. Angelos began making music in 1999 under the alias "OutSid3r" and has been constantly enhancing his outputs ever since. In 2004 he started releasing music under the name "Open Source", as he switched from trackers to a professional DAW. All of his productions include prominent melodies and deep ambience that reflects the producer's melancholic psyche. In 2005 Angelos founded Ghost Label records, a label dedicated to electronic music that has released the majority of his tracks. Open Source embraced the overwhelming popularity of electronic music and infused the EDM scene with his unique, soulful sound. His outstanding live performances, in combination with his versatile musical style, have earned him a worldwide audience across multiple global venues.
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My new place for upload... Instruction is simple & only one rule: just Follow the beat... ★ Cafe & Clubbing Vibe ★
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Dennon cd deck dns3500, vestax mixer, ableton live 6.0 Albums The K&D Sessions, Decksandrumsandrockandroll, Endtroducing No Protection: Massive Attack Vs. Mad Professor and Orbital 2. Djs Ian Pooley, Dj Sneak, Laurent Garnier, HFoundation, FunkD'void, Silicone Soul, Layo and Bushwaka, Meat Katie, Peace Division, Dj Shadow, Magda, Dj Zink, Hernan Cattaneo, Sharam, Sébastien Léger, Steve lawler,
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Facebook : http://ro-ro.facebook.com/pages/Wadafack/173320342729732 Soundcloud : http://soundcloud.com/Wadafack Mixcloud : http://www.mixcloud.com/WadafackOfficial <p>21 years old Dan Dumitru - Wadafack lives in the village of Snagov situated at about 30km near Bucharest. Currently a high school student. The first artist that inspired Dan was Deadmau5 due to his love of electro music especially the style of Deadmau5 and at the age of 15 he composed his first track which was entitled Nema. Dan has now changed his style and Is currently working on Minimal techno / Tech house /Progressive house / Deep House and chill out . Dan chose the name Wadafack which actually means 'What the fuck' because he was amazed by the fact that the first song he wrote received such good feedback from friends. </p>
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Like Subscribe Share And Comment https://facebook.com/DJKosty https://mixcloud.com/djkosty84 https://www.facebook.com/OfficialDJKosty Donate now https://www.paypal.me/TvEnergyHD
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RAGGA JUNGLE MIXES AND TRACKS BY DJ STP FREE TRACKS REMIXES & DUBPLATES>>> https://soundcloud.com/djstp BIG UP ALL JUNGLISTS!!!!!!
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Get all the latest info on Top Drawer Digital & Bass Elements Releases, Freebies, Archived Radio shows and more .... http://www.topdrawerdigital.com/ If you havnt already and you are feeling my vibes then feel free to give my pages a like https://www.facebook.com/Digitally.Mashed https://www.facebook.com/AndyDMBryan https://www.instagram.com/andydigitallymashed/ https://twitter.com/DigitallyMashed Digitally Mashed is a distinguished DJ whose career spans over three decades, marked by an unwavering passion and versatility across a broad spectrum of underground dance music genres. His journey began in the vibrant UK rave scene of the early '90s, where he honed his skills and developed a deep appreciation for electronic music's evolving landscape. Pioneering the J-Tek and Future Jungle Movements In the late 2000s, Digitally Mashed made a notable return to the music scene, collaborating with producer Lucas under the Top Drawer Digital label. Together, they were instrumental in pioneering the J-Tek and Future Jungle genres—innovative blends that fused elements of jungle, techno, and breakbeat. This collaboration not only redefined the boundaries of electronic music but also positioned Digitally Mashed as a leading figure in the 140 bpm bass music scene. Collaborations with Jungle Legends Building on his momentum, Digitally Mashed joined forces with jungle luminary Marvellous Cain and the esteemed RIQ Yardrock label. This partnership saw him delve deeper into the Ragga Jungle and Jungle Drum & Bass scenes, where his dynamic sets and engaging radio shows garnered widespread acclaim. His contributions were recognized with consecutive nominations at the We Love Jungle Awards, underscoring his influence and dedication to the genre. Versatility Across Genres Beyond his contributions to jungle and bass music, Digitally Mashed is celebrated for his eclectic DJ sets that traverse a multitude of genres. Whether performing on vinyl or digital platforms, he seamlessly blends Garage, House, Breaks, Old Skool Rave, Piano House, Speed Garage, Classic Trance, Progressive Trance, Electro, and Breakbeat. His deep-rooted knowledge and love for these styles enable him to craft sets that resonate with diverse audiences across the UK. Engagement with the Community Digitally Mashed maintains an active presence on social media, particularly through his Facebook page, where he shares updates on upcoming performances, collaborations, and insights into the dance music scene. His engagement with fans and fellow artists reflects his commitment to fostering a vibrant and inclusive music community. BasementApproved Legacy and Influence With a career characterized by innovation, collaboration, and a relentless pursuit of musical excellence, Digitally Mashed has left an indelible mark on the underground dance music landscape. His pioneering efforts in emerging genres and his ability to adapt and evolve with the times have solidified his status as a respected and influential figure in the industry. For those eager to experience his unique style and energy, Digitally Mashed's performances offer a journey through the rich tapestry of dance music, delivered with the expertise and passion that only decades of experience can provide.. DM also plays - Rave, OldSkool Piano House & Club Classics, OldSkool Jungle D&B, Garage, Speed Garage, House, Classic Trance, Progressive Trance, , Electro, Breakbeat, Harddance For bookings contact me direct @ andyb123abc@yahoo.com http://www.mixcloud.com/digitallymashed and http://soundcloud.com/digitally-mashed https://www.facebook.com/AndyDMBryan http://www.facebook.com/Digitally.Mashed http://www.topdrawerdigital.com/ http://www.facebook.com/topdrawerdigital http://www.facebook.com/YardrockJunglistFoundation
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Goneamuck has been submersed in the dance music scene and djing since 95!!! Lighting up dance floors with Commix, Frankie Bones, Icey and DJ ODI just to name a few!!! He can be seen every Thursday on The-Lost-Art.com from 12pm-2pm (EST) on his show Bah Bah Breaks. Get ready to experience festival level breakbeats at it's finest!!! Live audio and video stream...http://the-lost-art.com/live/ On your Iphone or Android..http://m.the-lost-art.com/ TLA Fan Pages...https://www.facebook.com/TheLostArtTV https://www.facebook.com/thelostartco... https://www.facebook.com/TheLostArtcom Preserving the pitch groups... https://www.facebook.com/groups/219890431446743/?ref=ts 4 on the floor house and tech... https://www.facebook.com/groups/275586682477503/ https://www.facebook.com/goneamuck4u https://www.facebook.com/goneamuck http://soundcloud.com/goneamuck4u https://www.facebook.
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breaks.......beats....... ;lights...... ; ; ; welll ; you get tha pic
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DeeJay Jamie Jay began as a writer of a graffiti crew called FTV. In the summer of 1988, I spent several months in Manchester, Uk, attending club events at Hacienda and Boardwalk watching the heats of DMC and and buying the new tunes at Spin in Records. It was there that I fell in love with hiphop music. Back in Warrington , I teamed up with Tasker who was already creating a name for himself in the Graffiti scene in Northwest. Until then, I had mostly been spinning hip-hop and funk. In the Summer of 1990 i discorverd a club that rocked a new vibe that was House music. House quickly rose popularity throughout the Northwest and the rest of the U.K .This is where i got my first taste of dance music, importing from the USA trolling record shops for that rare gem. As my taste was allways HipHop the piano tunes from Italy was replaced by a new cool sound that was Early Drum n Bass, Jungle. This music improved my Djing skills tenfold, cutting two records up, playing around with the rythmic dynamics. I began to get a reputation for solid mixes diverse in style that was popular in the Northwest, mainly playin private partys and ilegal events.
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